GAYA BAHASA SINDIRAN DALAM VIDEO TIKTOK RIAN FAHARDHI
DOI:
https://doi.org/10.22460/semantik.v12i2.p141-160Keywords:
Gaya Bahasa, Sindiran, Video TikTokAbstract
The existence of social media such as TikTok opens up opportunities for people to express themselves freely. This freedom demands creativity in expression, among others by using a sarcastic language style. This study aims to examine the use of satire language style used by Tiktoker Rian Fahardhi in his video using Keraf's Language Style theory. This research uses descriptive research to describe the sarcastic language style used by Rian Fahardhi in TikTok videos. The data collection technique used is the listening method with note taking technique. The data analysis technique used in this research is content analysis technique. The results showed that Rian Fahardhi used 19 satire language styles consisting of 4 irony language styles, 6 cynicism language styles, and 9 sarcasm language styles. Satire is not only used to convey criticism and aspirations, but it can also be implemented for readers and listeners of language in various types of literary works and outside literature. By using satire, readers or listeners can pay attention to the words used more carefully in writing or speech. So that it can increase understanding and appreciation of the beauty of language and can strengthen the message to be conveyed.References
Aeni, E. S., & Ahmadi, Y. (2021). Analisis kesalahan diksi dan gaya bahasa pidato pejabat pemerintahan berkaitan dengan pandemi covid-19. Semantik, 10(1), 77-86.
Aminudin. (1995). Stilistika pengantar memahami bahasa dalam karya sastra. IKIP Semarang Press.
Deriyanto, D., & Qorib, F. (2019). Persepsi mahasiswa universitas tribhuwana tunggadewi malang terhadap penggunaan aplikasi tik tok. Jurnal Ilmu Sosial dan Ilmu Politik (JISIP), 7(2).
Di Fabio, A., Gori, A., & Svicher, A. (2023). Relationships between Humor Styles and the Big Five Personality Traits in Workers: A Network Analysis. International Journal of Environmental Research and Public Health, 20(2). https://doi.org/10.3390/ijerph20021008
Gandi, S., & Yoedtadi, M. G. (2022). Resepsi milenial pengguna tiktok terhadap citra diri artis (studi kasus pada perseteruan antara denise chariesta dan uya kuya di media sosial tiktok). Kiwari, 1(1), 185-192. https://doi.org/10.24912/ki.v1i1.15730
Hautea, S., Parks, P., Takahashi, B., & Zeng, J. (2021). Showing They Care (Or Don’t): Affective Publics and Ambivalent Climate Activism on TikTok. Social Media and Society, 7(2). https://doi.org/10.1177/20563051211012344
Hikmawati, S. A., & Farida, L. (2021). Pemanfaatan media tik tok sebagai media dakwah bagi dosen IAI Sunan Kalijogo Malang. AL-ITTISHOL: Jurnal Komunikasi Dan Penyiaran Islam, 2(1), 1-11.
Icha, N. R., & Kurniadi, O. (2022). Hubungan antara menggunakan tik tok dengan perilaku eksistensi diri. Bandung Conference Series: Public Relations, 2(1), 297–301. https://doi.org/10.29313/bcspr.v2i1.939
Inderasari, E., Achsani, F., & Lestari, B. (2019). Bahasa sarkasme netizen dalam komentar akun instragram lambe turah. Semantik, 8(1), 37-49.
Keraf, G. (2010). Diksi dan gaya bahasa. PT Gramedia Pustaka Utama.
Kementerian Pendidikan dan Kebudayaan. (2017). Kamus Besar Bahasa Indonesia. Jakarta: Kementrian Pendidikan dan Kebudayaan.
Lestari, R. D., & Aeni, E. S. (2018). Penggunaan gaya bahasa perbandingan pada kumpulan cerpen mahasiswa. Semantik, 7(1).
Lestari, V. A. (2022). Analisis penggunaan gaya bahasa sindiran dalam video ceramah ustadz das'ad latif. Universitas Muhammadiyah Malang.
Literat, I., & Kligler-Vilenchik, N. (2023). TikTok as a Key Platform for Youth Political Expression: Reflecting on the Opportunities and Stakes Involved. Social Media + Society, 9(1). https://doi.org/10.1177/20563051231157595
Maharani, R., Rahmawati, U., & Sari, D. (2022). Hiperrealitas pengguna tiktok. Jurnal Komunikasi Dan Budaya, 3(1), 1-11. https://doi.org/10.54895/jkb.v3i1.861
Matamoros-Fernández, A. (2023). Taking Humor Seriously on TikTok. Social Media + Society, 9(1). https://doi.org/10.1177/20563051231157609
Mediasha, D. A. (2022). Sarkasme Di kalangan komika dark jokes pada program channel youtube deddy corbuzier. Jurnal Konsepsi, 11(3), 413-425.
Purnia, D. S., Adiwisastra, M. F., Muhajir, H., & Supriadi, D. (2020). Pengukuran kesenjangan digital menggunakan metode deskriptif berbasis website. EVOLUSI : Jurnal Sains Dan Manajemen, 8(2). https://doi.org/10.31294/evolusi.v8i2.8942
Sari, I. P., Febriyanti, F., Ujung, T. A., & Barus, F. L. (2021). Analisis Makna Konotasi dalam Lirik Lagu Bertaut Karya Nadin Amizah. Diksa: Pendidikan Bahasa Dan Sastra Indonesia, 7(1), 22-32.
Saputra, R. R., Charlina, C., & Sinaga, M. (2020). Gaya bahasa sindiran dalam debat acara indonesia lawyers club “corona: simalakama bangsa kita”. Sastranesia: Jurnal Program Studi Pendidikan Bahasa dan Sastra Indonesia, 8(4), 1-12
Septya, M. D., Faizah, H., & Septyanti, E. (2021). Gaya bahasa sindiran dalam vlog deddy corbuzier di youtube. JURNAL TUAH: Pendidikan dan Pengajaran Bahasa, 3(2), 140-150.
Sugiyono. (2013). Metode penelitian kuantitatif, kualitatif, dan r&d. Alfabeta.
Tarigan. H. G. (2009). Pengajaran gaya bahasa. Bandung: Angkasa CV.
Webber, J., Momen, M., Finley, J., Krefting, R., Willett, C., & Willett, J. (2021). The political force of the comedic. Contemporary Political Theory, 20(2), 419–446. https://doi.org/10.1057/s41296-020-00451-z
Yuliana, E., Wardarita, R., & Fitriani, Y. (2021). Analisis bahasa sindirian dalam acara lapor pak di stasiun televisi trans 7. In Prosiding Seminar Nasional Program Pascasarjana Universitas PGRI Palembang.
Yusuf, A. M. (2017). Metode penelitian: kuantitatif, kualitatif, dan penelitian gabungan. PT Fajar Interpratama Mandiri.
Downloads
Published
Issue
Section
License
Copyright (c) 2023 Semantik
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
The author is responsible for acquiring the permission(s) to reproduce any copyrighted figures, tables, data, or text that are being used in the submitted paper. Authors should note that text quotations of more than 250 words from a published or copyrighted work will require a grant of permission from the original publisher to reprint. The written permission letter(s) must be submitted together with the manuscript.